Fiction in the public interest

Floodlight connects investigative reporting with the film and television industry to produce informed fiction in the public interest

Floodlight

About Us

Hard-hitting investigative journalism. Gripping films and television series. Floodlight is the bridge between these two worlds. We source and curate a selection of the most riveting investigations from top journalists, shape the material, and present it to leading filmmakers and television series creators for adaptations into rich stories.

Created by the Organized Crime and Corruption Reporting Project (OCCRP), the Gabo Foundation, and film industry professionals, Floodlight fuses fact with storytelling in service of the public interest.

History

The idea for Floodlight was sparked in 2022 when OCCRP Co-Founder Paul Radu and Gabo Foundation General Director Jaime Bello met for the first time in Cartagena, Colombia. In their roles at their respective organizations, Paul and Jaime collaborate on some of the most powerful investigative reporting of our time. Their mutual passion for truth-based fiction and the impact that film and television can have on audiences seeded this marriage between investigative journalism and the film and television industry.

After partnering with film industry veterans Philippa Kowarsky and Alesia Weston, Floodlight was officially formed.

The Summit

The year-round program includes a rigorous selection process and culminates in the annual Floodlight Summit. Pulitzer Prize-winning investigative journalists and Academy Award-winning filmmakers spend three days together in an intimate setting in spirited conversation about the best ways to translate reporting into engrossing films and TV screens.

After days of pitches, panel discussions with legends in journalism and film, and one-on-one meetings, attendees leave Floodlight with a new understanding and appreciation of the other’s industry. New relationships are formed and projects are discussed to bring these stories to light.

The Floodlight Select Journalists and their stories hail from all corners of the globe, including Africa, Asia, Europe, Latin America, the Middle East, Oceania, and the United States.

Participating international film and television producers, writers, and directors include: Nico Celis (Roma), Ziad Doueiri (West Beirut, The Insult), Janine Jackowski (Toni Erdmann), Kevin Macdonald (The Last King of Scotland, One Day in September), Charles Randolph (The Big Short), Maria Schrader (She Said, Unorthodox), and Graham Yost (The Americans).

Invited featured speakers were driving forces in the Oscar-winning films Navalny and Spotlight, and the BAFTA-nominated She Said, and current television series Say Nothing and One Hundred Years of Solitude.

Consulting

Our journalists are available to consult in writers’ rooms and on projects in development.

Spanning six continents, our worldwide network of reporters includes some of the last remaining independent media in countries with well-advanced media capture, where government-owned or strongly influenced press has become dominant.

With a wealth of knowledge across a breathtaking array of subjects, we are experts in the myriad ways that global organized crime and high level corruption is interconnected and how it spreads across the world and affects almost every aspect of daily life.

Topics include: disinformation and the powers behind it, dark money in democracies, human trafficking, crime and corruption’s role in environmental destruction, how global organized criminal groups operate and their connection to terrorism, money laundering, the enablers of corruption (the lawyers, bankers, accountants and professional class), and sanctions evading.

Don’t see a topic you’re interested in on this list? Write to us — we’re probably on it.

In journalism, just one fact that is false prejudices the entire work. In fiction, one single fact that is true gives legitimacy to the entire work.
Gabriel Garcia Márquez

News and Events

The first Floodlight Summit was held in December 2023, in Cartagena, Colombia. Journalists from 11 countries presented 14 investigations — some unpublished — that were selected from 270 proposals. The event was written about in Variety and The Hollywood Reporter. Watch the video:

News and Events

How It Works

Leading investigative journalists share both their published and unpublished stories. They open up troves of meticulously gathered documentation about issues that affect us all, spanning years of dedicated work. Top film and television storytellers are invited to discover the investigations as potential projects. Each field’s process is demystified leading to stronger collaboration, more impactful stories, and better informed audiences.

Curate investigations through a highly competitive process
Step
Identify filmmakers and television storytellers who can adapt investigations into truth-inspired fiction
Step
Prepare journalists’ presentations and pitches
Step
Convene investigative reporters and filmmakers and television series creators
Step
Seed collaborations and shepherd deals, deepen understanding of complementary field
Step
Release films and television series that inform mass audiences and fuel change
Step

Testimonials

Susannah Grant
The opportunity to hear the backstories and details of the most pressing investigations happening around the world right now, directly from the journalists putting their lives on the line in search of truth, was tremendous.
Susannah Grant
Screenwriter and Producer, Erin Brockovich
Walter Robinson
Floodlight was long overdue. Putting the world’s best investigative journalists, who are eager to share their work, in the same room with filmmakers who want to bring great stories to the screen was a master stroke.
Walter Robinson
Investigative Journalist, The Boston Globe, and consultant on the film Spotlight
Paul Kolsby
What emerged at the Floodlight Summit were frank discussions. Notions of good and bad, and truth and accuracy, were finally placed alongside those of character, objective, rooting interest, and conflict. In the end, we learned that journalists and filmmakers are united by a common desire: to tell engaging, believable stories that expose a greater truth.
Paul Kolsby
Producer, Ozark
Joslyn Barnes
Floodlight was a window into how these courageous experts are unearthing some of the world’s most important stories, often at significant personal risk… These are the champions of light, accountability, transparency, truth, the factors that make for active, progressive citizenship.
Joslyn Barnes
Producer, Hale County This Morning, This Evening
Elena Loginova
From the initial application process to working on ideas and pitching them, the entire journey ignites new ideas, provides focus, and at the same time, broadens the vision. I believe the magic crafted by the organizers, filmmakers, and my fellow journalists is a result of their profound love for their work and a shared belief in a better world.
Elena Loginova
Investigative Journalist, OCCRP, Ukraine
Nacho Gomez
Floodlight was an exchange. We brought data and creativity. We gave them tips to be factual, they gave us tips to be impactful. We both are willing to make a better world. Let’s do it together.
Nacho Gomez
Journalist-Editor, Noticias Uno and Cuestión Pública, Colombia

Applications for Floodlight 2025 will be open till April 1

Floodlight: Fiction in the Public Interest
Where Truth Fuels Imagination

Our Team

Paul Radu
Paul Radu
Co-Founder, OCCRP and Floodlight
Jaime Abello
Jaime Abello
Director General de la Fundación Gabo y Cofundador de Floodlight
Drew Sullivan
Drew Sullivan
Co-Founder, OCCRP and Floodlight
Alesia Weston
Alesia Weston
Chief of Creative, Floodlight
Philippa Kowarsky
Philippa Kowarsky
Executive Producer, Floodlight
Gordana Miladinovic
Gordana Miladinovic
Project Manager, OCCRP and Floodlight
Timea Hont
Timea Hont
Project Coordinator, Floodlight
Daniel Marquínez
Daniel Marquínez
Special Projects Manager, Gabo Foundation and Floodlight
Lauren Jackman
Lauren Jackman
Head of Communications, OCCRP and Floodlight
Carolina Gómez Piñol
Carolina Gómez Piñol
Head of Communications, Gabo Foundation and Floodlight
Paul Radu
Paul Radu
Co-Founder, OCCRP and Floodlight

Paul is an investigative journalist and the head of innovation at OCCRP. He founded the organization in 2007 with Drew Sullivan. He leads OCCRP’s major investigative projects, scopes regional expansion, and develops new strategies and technology to expose organized crime and corruption across borders. Paul is a co-creator of Investigative Dashboard — a research desk that sifts through datasets to help journalists trace people, companies, and assets. He is an executive producer of the award-winning film, The Killing of a Journalist.

Jaime Abello
Jaime Abello
Director General de la Fundación Gabo y Cofundador de Floodlight

Director general y cofundador de la Fundación Gabo, establecida en 1994 en Cartagena de Indias como una iniciativa del Premio Nobel Gabriel García Márquez, anteriormente conocida como Fundación Nuevo Periodismo Iberoamericano (FNPI). Con una trayectoria destacada, Abello ocupó el cargo de director-gerente del canal público Telecaribe entre 1990 y 1995. Graduado de la Facultad de Derecho de la Pontificia Universidad Javeriana de Bogotá, ha dedicado su vida profesional al periodismo, la televisión, el cine y la gestión cultural.

Drew Sullivan
Drew Sullivan
Co-Founder, OCCRP and Floodlight

Drew is an investigative journalist and the publisher of the Organized Crime and Corruption Reporting Project (OCCRP). He founded the organization in 2007 with Paul Radu. Under his direction, OCCRP has won numerous awards, including the European Press Prize. He is an executive producer of the award-winning film, The Killing of a Journalist. He has a degree in aerospace engineering and worked in the space industry before switching to journalism. Drew has also been a professional standup comedian and has played the evil foreigner in four Bosnian films.

Alesia Weston
Alesia Weston
Chief of Creative, Floodlight

Alesia Weston is Floodlight’s chief of creative and oversees the organization’s creative work. Previously, she led Sundance Institute’s International Feature Film Program for a decade, where she established the screenwriters labs and grant programs for emerging filmmakers from the Middle East, Asia, Latin America, Europe. She was the executive director of the Jerusalem Film Festival and guest curator for the Beirut and New Zealand International Film Festivals. Alesia began her career at Imagine Entertainment and Trigger Street Productions, and later worked with Martin Scorsese to establish a platform for auteurs filmmakers.

Philippa Kowarsky
Philippa Kowarsky
Executive Producer, Floodlight

Philippa Kowarsky is executive producer, Floodlight. She is the CEO of Views, a film foundation in the making. Philippa is also the founder of Cinephil, an international sales and advisory firm representing films such as Academy Award-nominated Collective (2021), Flee (2022), A House Made of Splinters (2023), Emmy-winner Night Will Fall (2015), and Gunda (2020). She is the co-founder of Film Platform, an educational streaming service available in over 2,000 universities worldwide. Philippa also served as lead commissioning editor for BBC Storyville.

Gordana Miladinovic
Gordana Miladinovic
Project Manager, OCCRP and Floodlight

Gordana is responsible for overseeing all aspects of Floodlight. She also works at OCCRP, supporting 65+ media member centers on building sustainable organizational operations. Previously, she launched and operated several companies, including a creative agency covering design, architecture, fashion, and 3D printing. She has also led projects empowering women survivors of concentration camps. She managed a British Council-funded project producing fashion films and previously worked as a journalist covering culture on Bosnian national television.

Timea Hont
Timea Hont
Project Coordinator, Floodlight

Timea Hont is Floodlight’s coordinator, responsible for the planning and production of events. She is also a freelance journalist and international events manager and has worked on projects in Berlin, Vienna, Shanghai, and Cartagena. Timea manages a yearly street festival in Bucharest and curates cultural projects focusing on literary residencies, art exhibitions, and film screenings. Previously, she was a reporter and community manager for the first crowdfunded newsroom in Romania. During this time she worked in public relations for Sundance Film Festival-winner Acasă, My Home.

Daniel Marquínez
Daniel Marquínez
Special Projects Manager, Gabo Foundation and Floodlight

Daniel oversees the Floodlight project on behalf of the Gabo Foundation. He directs and coordinates the Gabo Festival, the largest gathering of storytellers in Ibero-America, and the Gabo Prize, an award that annually honors the best journalistic stories published in Spanish and Portuguese.

Lauren Jackman
Lauren Jackman
Head of Communications, OCCRP and Floodlight

Lauren is the communications co-lead for Floodlight and head of communications for OCCRP. She has managed communications for a variety of nonprofit and media organizations. Previously, she was a television news and White House producer and worked with journalists from more than 30 countries on documentaries and news series. She has a bachelor’s degree in journalism and a master’s degree in social entrepreneurship.

Carolina Gómez Piñol
Carolina Gómez Piñol
Head of Communications, Gabo Foundation and Floodlight

Carolina is the communications co-lead for Floodlight and head of marketing and communications for the Gabo Foundation. She is a social communicator and journalist, with a master’s degree in international affairs and studies in digital marketing and data analytics. Over the past 15 years, Carolina has worked as editor-in-chief in media outlets, and has been in charge of the design and execution of multi-channel strategies in different industries, working in Colombia, Spain, and Argentina.

FAQ

How do I participate in Floodlight? (For Journalists)

Submissions are typically submitted in the first quarter of the year. You may submit an investigation for consideration at the link above. Please read the instructions carefully. The reporting must be original and you must own the rights to the investigation (or have written permission from the owner). We are looking for urgent, timely, and extraordinary stories. We select investigations in July for the Floodlight Summit, which typically occurs in December. You will be notified one way or the other about your submission. Thank you for your interest! For questions about the application process, please contact Gordana Miladinovic <gordana@floodlightproject.org>

How do I participate in Floodlight? (For Film and television Creatives)

Invitations are extended to people in the film and television industry based on the projects we select each year and the alignment with the Floodlight mission and values. We appreciate your interest!